This isn’t really an album review. It’s a piece about records. And specifically it’s about vinyl records. Some of them made by Trashcan Sinatras.
The context in which you first hear a record plays a huge part in what will eventually become one of those collections of songs you just keep returning to. For me, the Trashcan Sinatra’s are a marker in my life. From exploring strange intoxicating streets of Paris during their debut album ‘Cake’ (1990) to a new start in a big new town ‘I’ve Seen Everything’ (1993), through getting signed to a small record label ‘A Happy Pocket’ (1996), the Trashies seem to have had an uncanny knack of releasing a new album just when I needed it. Indeed, around the time of ‘Weightlifting’ (2005), I even got to help bring them to Brighton for a show with American Music Club. Suddenly, two of my favourite bands were colliding in front of my eyes. Sometimes it’s a wonderful life.
A few weeks ago the band released ‘Wild Pendulum‘. It was only their third record this century and funded by a successful Pledge campaign. It goes without saying that I chose the vinyl album option. This ended up taking a little longer to arrive than expected. No worry, as the band had already furnished us faithful Pledgers with a download code. But somehow I just couldn’t introduce myself to ‘Wild Pendulum’ in this manner. Vinyl has a magic all of its own, invisibly transferred from the grooves to our souls as we take the record from the sleeve for the very first time. So I waited. And other people got to hear and write about the record before I did. No matter. It was worth the wait. The magic came. Vinyl won.
‘Wild Pendulum’ is a romantic triumph, shot through with samples of long-forgotten fairy tales and dusty opera. Back in the nineties, the Trashies used this trick of magpie melody to enhance their cover version of The Smiths ‘I Know It’s Over’, and in the process, somehow managed to improve upon the original. No mean feat, but then some of us had always suspected TCS were the Scottish Smiths. In 2016, ‘Wild Pendulum’ picks up from where ‘I Know It’s Over’ left off and enhances the bands’ yearning, melancholy beauty. Pressed on silver vinyl for private moments in monochrome, there’s a song called ‘Autumn’ on side one. It’s the most perfect soundtrack to this perfect season. Everything on ‘Wild Pendulum’ floats by on a cloud of languid guitars augmented by flourishes of Mariachi brass and Nathaniel Walcott’s exquisite string arrangements. Not forgetting those samples…so bask in ‘I Want To Capture Your Heart’ and ‘Waves’. Moods will be brightened and loads slightly lightened. ‘Wild Pendulum’ unfurls a little more with every listen.
And what seismic event in my own life does ‘Wild Pendulum’ usher in? Well, I may be too old to trouble the charts but music is still the guiding light so I’ve decided to start a vinyl business, bringing my own version of iconic rock and roll moments to those discerning enough to want to explore fifty years of pop counter culture through T-shirts, posters, pictures and records. For those on their own journeys to hear knows where.
A vinyl revolution™. Coming soon.